![]() ![]() ![]() Piano Tiles 2, an iOS/Android rhythm app created by Cheetah Mobile, uses this piece.It is worth mentioning that the people dancing were considered, in the series, of Gypsy descent, just as the song has been played, since its composition, by most Gypsy orchestras. In one of the first scenes of the first episode of the third season of the British TV Series Peaky Blinders, first aired on May 5th, 2016, people dancing on the melody of Csárdás (the melody itself is played at the same moment) can be viewed for some seconds.used this piece as part of the introduction to episode 6 'Subway/Pamela' from season 2 of his show Louie. Lady Gaga used part of Csárdás as an intro for her song 'Alejandro' from her 2009 album The Fame Monster.38–53) closely follows the original melody. 22–37) is relatively free, but that of its second half (mm. The adaptation of the section's first half (mm. The composition's third section (measures 22 through 53) was adapted for use as a preinstalled ringtone, designated 'Ringtone 8', in certain models of entry-level mobile telephones manufactured by LG and co-branded under the Verizon carrier, including the LG VX8350.It was a featured piece involving dueling violins in the 1984 film Unfaithfully Yours.Victor Borge performed Csardas in both a hilarious and technically superb way with violinist Anton Kontra.Grace Jones adapted a portion of the melody as an intro for her version of 'Autumn Leaves' on her 1978 album Fame.The theme is also prominently featured in the 1951 Bollywood movie Awaara.Sylvia Fine used the Allegro vivo section from this composition as the closing theme for her comic composition The Little Fiddle (Symphony for Unstrung Tongue), as performed by her husband, Danny Kaye, first in the movie The Secret Life of Walter Mitty, and afterward as a release on Decca Records.The British Film Institute database lists a 1927 short film made in the DeForest Phonofilm sound-on-film process by the Samehtini Trio, featuring this work played by a pianist and cellist.This gives the effect of the violin sounding two octaves (24 semitones) higher. ![]() This involves the violinist placing their finger down on the note and playing another note, with the finger only just touching the string 5 semitones above. In the Meno, quasi lento section, the violin plays 'artificial,' 'stopped,' or (less accurately) 'false' harmonics. ![]()
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